There will not be a better pure action movie this year than John Wick: Chapter 2. There, I said it, and if anyone disagrees with me, I challenge you to a duel with pistols. Or a thumb-wrestling contest. Your choice.
For this second go-round, our titular assassin rips apart Rome when a specter from his past—one of those smirking villains that you desperately want to see deep-throat a hollowpoint—shows up and cashes in a marker that forces Wick back into the killing game. And director Chad Stahelski makes ample use of the exotic locales, setting the action against one stunning backdrop after another. Seriously, you haven’t fully lived until you’ve watched a world-class trigger-puller destroy dozens of dirtbags with a shotgun in the catacombs.
Just like the first movie, Chapter 2 nails the violence, eschewing the inexplicably popular shaky-cam gimmick in favor of fluid, choreographed—dare I say, balletic?—action sequences. Not since the glory days of John Woo has brutality looked so viscerally beautiful. And speaking of brutal, this flick earns its R-rating with a triple-digit body-count, with a significant percentage of the targets receiving point-blank, blood-splattering headshots. My inner gore-hound gleefully appreciated the carnage. I may or may not have hollered, “Hell yeah!” a time or two in the theater. The old lady sitting next to me did not approve…
The mysterious world of the Continental, part of the reason the original John Wick was so entertaining, is expanded upon, which is something I think we all craved. That said, it is taken to ludicrous extremes, with every other person on the street—from panhandlers to pedestrians—revealed to be part of this shadowy underworld. But it’s all done quite niftily, with tongue-in-cheek panache. And speaking of ludicrous, where can I get one of those Kevlar-lined suitcoats that stops bullets better than Superman’s cape?
Keanu Reeves reinforces his reputation as one of the best action heroes of the decade with a straight-faced, taciturn, and totally killer (no pun intended) performance. If you’ve seen any of his training videos on YouTube, you know he fully invests himself in this role and it shows on the screen. You believe this guy could actually kill three men in a bar with a pencil. And while there’s no dead puppy this time to provide us an emotional anchor, the movie does briefly (for about all of three heartbeats) pause to reminisce about Wick’s deceased wife, reminding us that the man is, indeed, human.
Bottom line, for fans of the guns ‘n’ guts cinema, this is a near-perfect film, with a staggering kill-count, slick direction, eye-popping cinematography, deadpan humor, and bundles of badassery (is that a word?). Yeah, I’m thinking John Wick is back, and action junkies are all the better for it.
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